SHAKES 🍐

Writing · film · games · theatre

A whole
other world.

The archive of Shakes’ earlier work, credited as Steve Jackson or Steven Jackson.

Past dates & reflections → Every catalogue entry →

On screen. On stage.

Choose a title for clips, photographs and credits.

Cannibal! The Musical
Cannibal! The Musical promotional poster from the film’s official image archive.Play official trailer
Film poster · official archive · not a personal portrait

Feature-film debut · 1993

Cannibal! The Musical

Sheriff Adams
Credited as Sheriff of Lake City

Shakes’ debut feature-film appearance, credited under the name Steve Jackson, in Trey Parker’s first feature with Matt Stone—before South Park. Shakes also sings in the film.

Filmed in 1993; released by Troma in 1996. The soundtrack is listed under Trey Parker. Check current UK streaming options.

More film photographs and credits

Film stills, behind-the-scenes photographs and posters

Full film credits · Watch on Troma NOW (subscription)

Jungle Strike
Watch the PC intro

Live-action game performance · 1995

Jungle Strike

NSA Man
Gremlin Interactive · PC CD-ROM version

Shakes performs in the filmed cutscenes for the PC CD-ROM edition of Jungle Strike, the sequel to Desert Strike. The cast credit names Steve Jackson as NSA Man.

Part of the 1990s wave of games that brought live actors into the story through full-motion video.

The intro includes other performers; a reel of Shakes’ scenes is still being prepared. This credit relates to the filmed PC scenes. PC CD-ROM edition in the Computing History collection.

Dreams’ Winter
Archive production photograph of Forced Entertainment’s Dreams’ Winter at Manchester Central Library.
Dreams’ Winter · production photograph · performers not individually identified

Experimental theatre · 1994

Dreams’ Winter

Guest performer
Forced Entertainment · Manchester Central Library

Shakes was a guest performer in Dreams’ Winter, Forced Entertainment’s first major site-specific performance. Directed by Tim Etchells, the work unfolded among the books and readers’ tables of Manchester Central Library.

The company’s archive lists Steve Jackson among the guest performers.

Published writing · 2007

Point Blank.

Writer in the Point Blank trilogy, credited as Steve Jackson.

Point Blank: Nothing to Declare, Operation Wonderland, and Roses and Morphine. Edited by Liz Tomlin. Intellect, 2007.

Operation Wonderland

Co-written by Liz Tomlin and Steve Jackson.

Fantasy and Delusion

The Dramaturgy of Point Blank’s Nothing to Declare — an essay by Steve Jackson, included in the same volume.

Book, contents & writer credits ↗

The trilogy’s published credits
  • Nothing to Declare — Liz Tomlin
  • Operation Wonderland — Liz Tomlin and Steve Jackson
  • Roses and Morphine — Liz Tomlin

Credits follow the publisher’s contents. ISBN 9781841501697.

Thinking through theatre.

Published writing and an acknowledged contribution to theatre research.

Innocent tourists? · co-written article

Innocent tourists? Neo-colonialist narratives in contemporary performance

Liz Tomlin and Steven Jackson · 2006

Contemporary Theatre Review, 16(1), pp. 23–30.

The university record confirms the joint credit. Full text may require library access.

Accessibility · co-written book chapter

Accessibility

Liz Tomlin and Steven Jackson · 2002

In Keith Arrowsmith (ed.), The Methuen Amateur Theatre Handbook, pp. 186–196. Methuen.

Publication & author record ↗

ISBN 9780413755704. This is a book chapter; the linked record does not provide the full text.

Fantasy and Delusion · essay by Steve Jackson

Fantasy and Delusion: The Dramaturgy of Point Blank’s Nothing to Declare

Steve Jackson · in the Point Blank volume, 2007.

Open Point Blank credits →
TDR · acknowledged intellectual contribution

Transgressing Boundaries: Postmodern Performance and the Tourist Trap

Liz Tomlin · TDR, 43(2), 1999, pp. 136–149.

The essay discusses Forced Entertainment’s Nights in this City, the Sheffield coach-tour performance.

In endnote 1, Tomlin thanks Steve Jackson for his substantial contributions to this debate.

Shakes’ contribution is acknowledged in the article; its author credit is Liz Tomlin.

Style & reading

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